About eNothing

My photo
eNOTHING has a mission: To bring poetry, arts and music to the streets via a growing artistic Twitter community.

Animated Tribute to John Lennon

As most of you know, I'm a serious Beatles and John Lennon fan.  It's a long story, but although my creative focus has drifted towards poetry and writing (poetry writing - hah) over the years, underneath it all was (and is) a very deep fascination and influence by the creative freedoms (artistic, musical, poetical and social) inspired by the Beatles and their remarkable leader, John Lennon.

As I was scanning my Twitter universe this morning for interesting bits and inspirations, I stumbled upon the video below which was linked to www.imaginepeace.com and twit broadcast by @yokoono (we follow each other, you'll see that I find many of her tweets RT worthy).

Please, watch this beautiful animated tribute to the great musician, artist, poet of our times - John Lennon:


-

POEM OF THE DAY "As The Sparrow" by Charles Bukowski

Apologies to everyone for the absence of our usual poetry insertions this week; based on your tweets and emails, we know you look forward to  Poem of the DayI've been working on a major project and I'm done...hooray!  We're back!  


Enjoy the return of Bukowski as well...and there's a recommended book below (Bukowski's Poetry of course):

As the Sparrow

By Charles Bukowski

To give life you must take life,  
and as our grief falls flat and hollow
upon the billion-blooded sea
I pass upon serious inward-breaking shoals rimmed
with white-legged, white-bellied rotting creatures
lengthily dead and rioting against surrounding scenes.
Dear child, I only did to you what the sparrow
did to you; I am old when it is fashionable to be
young; I cry when it is fashionable to laugh.
I hated you when it would have taken less courage
to love.


-

Top 100 or so Poems -- POEM OF THE DAY - Recap - "Pull My Daisy" Series of Poems - Jack Kerouac

December 11, 2011

These 3 poems are basically a collaborative work led by Jack Kerouac over a 10 year time warp spanning the creative spawning (spanning the spawning, get it) of the Beat movement and the radical, irreverent angle adopted for nearly every aspect of life - the Beat movement which is at least equal in importance to any other movement to lend creedence and direction to the rise of the "60's".

Although these works don't show up in any conformal anthologies as "great work" of the 20th century, they do represent an important movment and serve to illustrate in a remarkably clear way the progression of the movement and the irreverent innocence of the artists of their time, and clearly shows the creativeness of the development of "Pull My Daisy" which was published finally in or around 1958 for the first time. So here is a recap of our POEM OF THE DAY series featuring Fie My Fum, Pull My Daisy, and PULL MY DAISY.

The important rule is to free yourself from rules, which they did very well.

Have fun!:

Our last 3 posts on POEM OF THE DAY have been a
progressive series of Jack Kerouac gems which we've named the "Daisy" series for the purposes of consolidation and critical consideration.

This has been one of our most successful and popular POEM OF THE DAY series, and one of our followers reccommended that (with our analysis of each poem notwithstanding) -- we simply list the (3) versions chronologically, and let you, the readers create your own analysis via comments.

Great!

Here they are!

Fie My Fum (~1948)

By Jack Kerouac and Allen Ginsberg

Pull my daisy,
Tip my cup,
Cut my thoughts
For coconuts,

Start my arden
Gate my shades,
Silk my garden
Rose my days,

Say my oops,
Ope my shell,
Roll my bones,
Ring my bell,

Pope my parts,
Pop my pot,
Poke my pap,
Pit my plum.


Pull My Daisy (~1950)

By Jack Kerouac, Allen Ginsberg, Neal Cassady

Pull my daisy
tip my cup
all my doors are open
Cut my thoughts
for coconuts
all my eggs are broken
Jack my Arden
gate my shades
woe my road is spoken
Silk my garden
rose my days
now my prayers awaken

Bone my shadow
dove my dream
start my halo bleeding
Milk my mind &
make me cream
drink me when you're ready
Hop my heart on
harp my height
seraphs hold me steady
Hip my angel
hype my light
lay it on the needy

Heal the raindrop
sow the eye
bustmy dust again
Woe the worm
work the wise
dig my spade the same
Stop the hoax
what's the hex
where's the wake
how's the hicks
take my golden beam

Rob my locker
lick my rocks
leap my cock in school
Rack my lacks
lark my looks
jump right up my hole
Whore my door
beat my boor
eat my snake of fool
Craze my hair
bare my poor
asshole shorn of wool

say my oops
ope my shell
Bite my naked nut
Roll my bones
ring my bell
call my worm to sup
Pope my parts
Pop my pot
raise my daisy up
Poke my pap
pit my plum
let my gap be shut

PULL MY DAISY (~1958)

by Allen Ginsberg, Jack Kerouac, Neal Cassady

Pull my daisy
Tip my cup
Cut my thoughts
for coconuts

Jack my Arden
Gate my shades
Silk my garden
Rose my days

Bone my shadow
Dove my dream
Milk my mind &
Make me cream

Hop my heart on
Harp my height
Hip my angel
Hype my light

Heal the raindrop
Sow the eye
Woe the worm
Work the wise

Stop the hoax
Where's the wake
What's the box
How's the Hicks

Rob my locker
Lick my rocks
Rack my lacks
Lark my looks

Whore my door
Beat my beer
Craze my hair
Bare my poor

Say my oops
Ope my shell
Roll my bones
Ring my bell

Pope my parts
Pop my pet
Poke my pap
Pit my plum

-


POEM OF THE DAY "Pull My Daisy III" by Jack Kerouac, Allen Ginsberg, Neal Cassady

Here is the 3rd of the 3 published poems from the "Pull My Daisy" series - which was a joint focus by the 3 Beat Generation leaders (Ginsberg, Kerouac, Cassady) to produce a product which included input from each contributor.  This particular (final) version seems to date back to 1958.  Note the differences between the 3 versions...beginning with "Fie my Fum" several blogposts ago, moving to "Pull my Daisy II", to this version.

Fie my Fum begins as a simple 4 stanza lyrical delight (it was called a "song") - mostly the work of the young Kerouac in 1949 and 1950 - but a delight that appears to be mostly the creative work of Kerouac.

Pull My Daisy II includes more Ginsberg as well as the influence of Kerouacs wild "On the Road" partner, the infamous Neal Cassady.  Note that the piece moves back to poetic rather than lyrical form - I can just imagine Kerouac scribing while his wild friends Ginsberg and Cassady dictate their insertions, notably the following verses, inserted line by line into the middle of the original song stanzas (plus more stanzas from Kerouac and Cassady to accommodate the process) from Fie my Fum:

all my doors are open
all my eggs are broken
woe my road is spoken
now my prayers awaken

start my halo bleeding
drink me when you're ready
seraphs hold me steady
lay it on the needy

bust my dust again
dig my spade the same
take my golden beam

leap my cock in school
jump right up my hole
eat my snake of fool
asshole shorn of wool

Bite my naked nut
call my worm to sup
raise my daisy up
let my gap be shut

It appears that these verses are largely the work of Allen Ginsberg, and they must have had a drunken giggle as they imagined the disruption and usual outrage these verses would cause. 

The final version below largely removes these verses and returns to the fun-to-read (and speak) lyrical song-style that was started with Fie my Fum back in 1950.  Enjoy!

P.S. - If you find these posts interesting, and Jack Kerouacs writing inspiring and stimulating, you need to add the books below to your collection.  This poem is included in "Scattered Poems" and our Twitter Haiku daily tweet series #Jackaday features Haikus from "Book of Haikus".  Of course, NOBODY should be without the classic inspirational novel "On the Road" - which played a critical part in forming the "Beat Generation" as well as the larger "Hippy Movement" of the 1960's - the theme of "kicks" and "freedom".


PULL MY DAISY (III)

by Allen Ginsberg, Jack Kerouac, Neal Cassady

Pull my daisy
Tip my cup
Cut my thoughts
for coconuts

Jack my Arden
Gate my shades
Silk my garden
Rose my days

Bone my shadow
Dove my dream
Milk my mind &
Make me cream

Hop my heart on
Harp my height
Hip my angel
Hype my light

Heal the raindrop
Sow the eye
Woe the worm
Work the wise

Stop the hoax
Where's the wake
What's the box
How's the Hicks

Rob my locker
Lick my rocks
Rack my lacks
Lark my looks

Whore my door
Beat my beer
Craze my hair
Bare my poor

Say my oops
Ope my shell
Roll my bones
Ring my bell

Pope my parts
Pop my pet
Poke my pap
Pit my plum

-

POEM OF THE DAY "Pull My Daisy II" by Jack Kerouac, Allen Ginsberg, Neal Cassady

This poem in the second version in a series of 3 mutations of the original "Fie My Fum" written by Kerouac.  In this version, apparently scribed in 1950, Kerouac, Ginsberg, and the legendary Cassady (the main character of On The Road and Visions of Cody) playfully add versus and lines to give the irreverent stamp of the "Beat Generation" to it.

Compare this version to the original, which is included on this blog, several posts down.  Tomorrow you can see the 1961 transition from this hybrid to the final lyrical version, very nice.

This series of poems can be found in "Scattered Poems" by Jack Kerouac - a highly recommended collection which you can purchase a the bottom of this post!

Pull My Daisy

By Jack Kerouac, Allen Ginsberg, Neal Cassady

Pull my daisy
tip my cup
all my doors are open
Cut my thoughts
for coconuts
all my eggs are broken
Jack my Arden
gate my shades
woe my road is spoken
Silk my garden
rose my days
now my prayers awaken

Bone my shadow
dove my dream
start my halo bleeding
Milk my mind &
make me cream
drink me when you're ready
Hop my heart on
harp my height
seraphs hold me steady
Hip my angel
hype my light
lay it on the needy

Heal the raindrop
sow the eye
bustmy dust again
Woe the worm
work the wise
dig my spade the same
Stop the hoax
what's the hex
where's the wake
how's the hicks
take my golden beam

Rob my locker
lick my rocks
leap my cock in school
Rack my lacks
lark my looks
jump right up my hole
Whore my door
beat my boor
eat my snake of fool
Craze my hair
bare my poor
asshole shorn of wool

say my oops
ope my shell
Bite my naked nut
Roll my bones
ring my bell
call my worm to sup
Pope my parts
Pop my pot
raise my daisy up
Poke my pap
pit my plum
let my gap be shut

-

"Haiku 2" by Thomas Herr

Haiku 2

by Thomas Herr 
=

 


Crisp deep sky to-night

   bright Autumn moon 

long shadows cross the pale path home



-

Twitter Arts Community

Much has been said in the press and entertainment industry (as well as the office and coffee shops) about Twitter as a phenomenon; both good and bad.  Whether Twitter is just the latest social media fad (or whether social media is just a fad to begin with in some circles) which set out to replace Facebook and MySpace, or a remarkable "Microblogging Marketing Tool" with a record-breaking start, or a numb-nuts vehicle enabling users to "tweet" the most inane thoughts and actions using their new smart phones - is subject to debate.

One thing that can be said for sure, though, is this:

Twitter is the perfect vehicle for quick, to-the-point exchanges of digestible bits of valid and vital information and the transmittal of links to larger sites -- either between individuals, or to a much larger audience.

This statement is showing signs of validation among Poets, Writers, Artists, Musicians, Photographers and others in what is becoming a vital global Arts Community.  eNOTHING began using Twitter as an experiment in 2009.  By promoting Poetry (primarily), Art of all types and genres, and Music we have found ourselves with an audience of over 10,000 devoted followers who in turn follow each other - and all of us tweet and retweet our work, the work of our peers and the work of those who have influenced us in the past.  


Together we have found Tweeting to be an inspiring way of communicating with our peers, fans and others.  eNOTHING has recently taken a close look at our Twitter followers and made the following observations:

  • They are artists just as we are.
  • They are vital to the revival of the arts in that they are the struggling artists of today.
  • Their relevant tweets about arts get re-tweeted to others by their own followers.
  • Irrelevant tweets don't spread through this community -- only relevant ones.  I don't know why...
  • In addition to artists, there are fan followers, and industry (publishers for example) followers.  This means opportunity.
  • There is remarkable commonality GLOBALLY between followers (look at eNOTHING followers -- each one has at least 10-100-1000 or MORE common followers with the next one)
With regards to the poetry and literary world, which is where we reside - eNOTHING is going to make a bold statement -- Twitter has become the Bowery Bar or Village Coffee shop of today - just as the smoke-filled seedy venues of the Beats and the Hippies were many years ago.  Those venues should never be replaced, but Twitter is proving to be a viable venue for discussion and sharing of the arts both by allowing the quick transfer of relevant links - and the 140 character limit is perfect for poetry exchanges and brief descriptions about the "attached link" which carries the body of the work (with the exception of Haiku, for which Twitter is actually perfect).

So Tweeters and wannabe Tweeters, join us to grow the community, revive the arts, and SPREAD THE WORD!

-TH





POEM OF THE DAY "Fie My Fum" by Jack Kerouac - Pull My Daisy Series I

"Fie My Fum" is the original version of an interesting three-poem series begun by Kerouac in 1950 and finished by 1961.  This original version was a shared idea or brainstorm effort by Kerouac and Allen Ginsberg, together -- in 1950 - and was originally written as a "Song".

This poem is part of the collection "Scattered Poems" - the book is offered below.  This is an original City Lights (Ferlinghetti) Pocket Poets series publication - it is authentic and true to Kerouac and the Beat movement, and so I highly recommend it!

A playful little piece, humorous and light -- sprinkled with a bit of the innocence of youth -- and an essence of marijuana.  The title doesn't appear in the poem, but is reminiscent of "Fie fi fo fum" from the classic "Jack in the Beanstalk".

This impression changes slightly as evidenced by subsequent re-writing and renaming of the poem in future years as the Beatific or Beat movement progresses and Kerouac moves into his 30's. The final version is titled Pull My Daisy and was written in 1961.

Enjoy this progression, stay tuned for the others!

Fie My Fum

By Jack Kerouac and Allen Ginsberg

Pull my daisy, 
Tip my cup,
Cut my thoughts
For coconuts,

Start my arden
Gate my shades,
Silk my garden
Rose my days,

Say my oops,
Ope my shell,
Roll my bones, 
Ring my bell,

Pope my parts,
Pop my pot,
Poke my pap,
Pit my plum. 

-

POEM OF THE DAY -- "Bowery Blues" by Jack Kerouac

Bowery Blues

By Jack Kerouac

The story of man
Makes me sick
Inside, outside,
I don't know why
Something so conditional
And all talk
Should hurt me so.

I am hurt
I am scared
I want to live
I want to die
I don't know
Where to turn
In the Void
And when
To cut
Out

For no Church told me
No Guru holds me
No advice
Just stone
Of New York
And on the cafeteria
We hear
The saxophone
O dead Ruby
Died of Shot
In Thirty Two,
Sounding like old times
And de bombed
Empty decapitated
Murder by the clock.

And I see Shadows
Dancing into Doom
In love, holding
TIght the lovely asses
Of the little girls
In love with sex
Showing themselves
In white undergarments
At elevated windows
Hoping for the Worst.

I can't take it
Anymore
If I can't hold
My little behind
To me in my room

Then it's goodbye
Sangsara
For me
Besides
Girls aren't as good
As they look
And Samadhi
Is better
Than you think
When it starts in
Hitting your head
In with Buzz
Of glittergold
Heaven's Angels
Wailing

Saying

We've been waiting for you
Since Morning, Jack
Why were you so long
Dallying in the sooty room?
This transcendental Brilliance
Is the better part
(of Nothingness
I sing)

Okay.
Quit.
Mad.
Stop.

-

POEM OF THE DAY -- "Dream Song 14: Life, friends, is boring." by John Berryman

Dream Song 14: Life, friends, is boring  
by John Berryman
Life, friends, is boring. We must not say so.
After all, the sky flashes, the great sea yearns,
we ourselves flash and yearn,
and moreover my mother told me as a boy
(repeatedly) 'Ever to confess you're bored
means you have no

Inner Resources.' I conclude now I have no
inner resources, because I am heavy bored.
Peoples bore me,
literature bores me, especially great literature,
Henry bores me, with his plights & gripes
as bad as achilles,

Who loves people and valiant art, which bores me.
And the tranquil hills, & gin, look like a drag
and somehow a dog
has taken itself & its tail considerably away
into mountains or sea or sky, leaving
behind: me, wag. 
-

POEM OF THE DAY -- "Dream Song 1" By John Berryman

Dream Song 1: Huffy Henry hid the day  
by John Berryman
Huffy Henry hid the day,
unappeasable Henry sulked.
I see his point, -- a trying to put things over.
It was the thought that they thought
they could do it made Henry wicked & away.
But he should have come out and talked.

All the world like a woolen lover
once did seem on Henry's side.
Then came a departure.
Thereafter nothing fell out as it might or ought.
I don't see how Henry, pried
open for all the world to see, survived.

What he has now to say is a long
wonder the world can bear & be.
Once in a sycamore I was glad
all at the top, and I sang.
Hard on the land wears the strong sea
and empty grows every bed. 
-

POEM OF THE DAY -- "Sleepers Awake" by John Ashbery

This poem comes to us courtesy of a member of our growing Twitter arts community, @amyjosprague - an excellent poet herself.  Ashbery is a prominent American poet with a unique style worthy of our POEM OF THE DAY feature.  You can bet there will be more of Ashbery's work here at eNOTHING.

Enjoy -- feel free to take a nap, wake up, and resume, if you must...

Sleepers Awake

by John Ashbery


Cervantes was asleep when he wrote Don Quixote.
Joyce slept during the Wandering Rocks section of Ulysses.
Homer nodded and occasionally slept during the greater part of the Iliad; he was
   awake however when he wrote the Odyssey.
Proust snored his way through The Captive, as have legions of his readers after
   him.
Melville was asleep at the wheel for much of Moby-Dick.
Fitzgerald slept through Tender Is the Night, which is perhaps not so surprising,
but the fact that Mann slumbered on the very slopes of The Magic Mountain is
   quite extraordinary—that he wrote it, even more so.
Kafka, of course, never slept, even while not writing or on bank holidays.
No one knows too much about George Eliot’s writing habits—my guess is she
   would sleep a few minutes, wake up and write something, then pop back to
   sleep again.
Lew Wallace’s forty winks came, incredibly, during the chariot race in Ben-Hur.
Emily Dickinson slept on her cold, narrow bed in Amherst.
When she awoke there would be a new poem inscribed by Jack Frost on the
   windowpane; outside, glass foliage chimed.
Good old Walt snored as he wrote and, like so many of us, insisted he didn’t.
Maugham snored on the Riviera.
Agatha Christie slept daintily, as a woman sleeps, which is why her novels are
   like tea sandwiches—artistic, for the most part.
I sleep when I cannot avoid it; my writing and sleeping are constantly improving.

I have other things to say, but shall not detain you much.
Never go out in a boat with an author—they cannot tell when they are over
   water.
Birds make poor role models.
A philosopher should be shown the door, but don’t, under any circumstances, try
   it.
Slaves make good servants.
Brushing the teeth may not always improve the appearance.
Store clean rags in old pillow cases.
Feed a dog only when he barks.
Flush tea leaves down the toilet, coffee grounds down the sink.
Beware of anonymous letters—you may have written them, in a wordless
   implosion of sleep.

POEM OF THE DAY -- "Touched by An Angel" by Maya Angelou

Touched by An Angel

by Maya Angelou


We, unaccustomed to courage
exiles from delight
live coiled in shells of loneliness
until love leaves its high holy temple
and comes into our sight
to liberate us into life.

Love arrives
and in its train come ecstasies
old memories of pleasure
ancient histories of pain.
Yet if we are bold,
love strikes away the chains of fear
from our souls.

We are weaned from our timidity
In the flush of love's light
we dare be brave
And suddenly we see
that love costs all we are
and will ever be.
Yet it is only love
which sets us free.

-

POEM OF THE DAY, "God" by Jack Kerouac

God

By Jack Kerouac

In his jests serious, in his murders victim,
   or which, is God?  Who began
   before non-existence"s dependence
   on existence,  Who came before
   the chicken and the egg

Who started out
                            enormous Light 
   The dark brillianceof the Mystery
   For all good hearts to shroud inside
   and keep their understanding sympathy
   intact as Beethovens courageous
                           slow sigh.

In his atrocities victim?
  In his jests damned?
  In his damnation damnation?
Or is God just the golden hover
   light manifesting Mayakaya
   the illusion of the moon, branches
    across the face of the moon?

O perturbing swttlontaggek
    montiana godio
   Thou high suffermaker!
 Tell me now, in Your Poem!

-

POEM OF THE DAY -- "Mexican Loneliness" by Jack Kerouac

It should be remembered that the influence of literary icon Jack Kerouac can be felt in many places and on many levels throughout the literary, art and even music worlds... 

For example, Allen Ginsberg asked Bob Dylan how he knew Kerouac's poetry and Dylan replied:  "Someone handed me Mexico City Blues in St. Paul, MN in 1959, and it blew my mind.  It was the first poetry that spoke my language."

Big deal, right?  Well Kerouac poetry is quoted verbatim in dozens of Dylan songs from Highway 61 Revisited spanning his career - up to some of his albums released in the 80's and 90's.

Enjoy "Mexican Loneliness" below; this poem comes from the lauded anthology POMES ALL SIZES which is available (and recommended, by the way) by clicking the link at the bottom of this post. 



Mexican Loneliness

by Jack Kerouac


And I am an unhappy stranger
grooking in the streets of Mexico-
My friends have died on me, my
lovers disappeared, my whores banned,
my bed rocked and heaved by
earthquake - and no holy weed
  to get high by candlelight
  and dream - only fumes of buses,
dust storms, and maids peeking at me
  thru a hole in the door
  secretly drilled to watch
  masturbators fuck pillows -
  I am the Gargoyle
  of Our Lady
    dreaming in space
    gray mist dreams --
My face is pointed towards Napoleon
------ I have no form ------
My address book is full of RIP's
  I have no value in the void,
    at home without honor, -
My only friend is an old fag
    without a typewriter
Who, if he's my friend,
    I'll be buggered.
I have some mayonnaise left,
a whole unwanted bottle of oil,
peasants washing my sky light,
  a nut clearing his throat
  in the bathroom next to mine
  a hundred times a day
  sharing my common ceiling -
If I get drunk I get thirsty
- if I walk my foot breaks down
- if I smile my mask's a farce
- if I cry I'm just a child -
- if I remember I'm a liar
- if I write the writing's done -
- if I die the dying's over -
- if I live the dying's just begun -
- if I wait the waiting's longer
- if I go the going's gone 
if I sleep the bliss is heavy 
the bliss is heavy on my lids
- if I go to cheap movies
the bedbugs get me -
Expensive movies I can't afford
- if I do nothing 
    nothing does

-

POEM OF THE DAY -- "Hymn" by Jack Kerouac

Jack Kerouac, of course, is an American literary Icon.  Famous for his landmark prose novels "On the Road" and "Visions of Cody" and "Dharma Bums" documenting his wild travels across America in search of freedom and "kicks" - Kerouac was a vital poet as well - especially considered so among his more poeticly known peers (Beat icons Allen Ginsberg, Lawrence Ferlinghetti, Gregory Corso, William Burroughs to name a few).

The poems featured in this weeks POEM OF THE DAY series were inspired by the recent release of "HOWL" -- the movie creation -- which depicted the poem itself, the poet Allen Ginsberg, and the historic obscenity trial which followed.

These poems can be found in the City Lights Publishing collection of Kerouac poems "POMES ALL SIZES" which includes a wonderful preface by Ginsberg himself, declaring (significantly):  "My own poetry's always been modeled on Kerouac's practice of tracing his mind's thoughts and sounds directly on the page."  A formidable statement by arguably one of the 20th centuries greatest and most influential poets.

Enjoy what follows!  I suggest you invest a small amount in the wonderful book below.

Hymn

By Jack Kerouac

And when you showed me the Brooklyn Bridge
   in the morning, 
      Ah God,


And the people slipping on ice in the street,
twice,
          twice,
                    two different people
                    came over, goin to work,
                    so earnest and tryful,
                    clutching their pitiful
                    morning Daily News
                    slip on the ice & fall
                    both inside 5 minutes
                    and I cried I cried


That's when you taught me tears, Ah
   God in the morning,
      Ah Thee


And me leaning on the lampost wiping
eyes,
         eyes,
                  nobody's know I'd cried
                  or woulda cared anyway
                  but O I saw my father
                  and my grandfather's mother
                  and the long lines of chairs
                  and tear-sitters and dead,
                  Ah me, I knew God You
                  had better plans than that


So whatever plan you have for me
Splitter of majesty
Make it short
   brief
Make it snappy
   bring me home to the Eternal Mother
   today


At your service anyway,
   (and until)


-

eNOTHING's #Howladay

With the recent release of HOWL - a movie about the famous controversial Allen Ginsberg poem/book, "HOWL and Other Poems", eNOTHING has decided to embark on a Twitter journey.  Every day at least one line from the poem "HOWL" will be tweeted under the hashtag #Howladay - so far we are about 10% through the poem.

If you're interested in seeing the poem and the progress so far, just search #Howladay, and remember the tweets are chronological, so you need to start from the bottom up!

I was fortunate enough to attend a screening of HOWL the Movie last night at Yale University and have to admit that I found the movie intellectually stimulating and quite inspiring.  In fact, so much so that next week our POEM OF THE DAY series will feature Ginsberg and even Jack Kerouac poetry (yes). 

Briefly here:

The movie is constructed of (at least) 3 simultaneous story lines as follows:

  • Recitation of the POEM by Ginsberg (excellent artsy graphics and imagery here)
  • Trial Proceedings (oh the ignorance of the non-poet or true anti-poet)
  • Interview with/by Ginsberg
I have to admit, I found the movie worth the admission price...providing you are open to learning and being inspired by the story line, and the infamous poem.

So, follow @eNOTHING on twitter, find a recent #Howladay tweet, and click on the tag for the "whole picture".


--TH -- If you don't own it, buy HOWL now, right here:


POEM OF THE DAY -- "Give All To Love" by Ralph Waldo Emerson

Today's selection comes to us by way of our friend and fellow poet, Theron Kennedy.  Theron is extremely active in the Twitter arts community and can be found in a number of places, but notably @BigUrban.  Follow him and you'll get links to plenty of his new poetry as it's written!

Thanks, Theron!

By the way, Love this image of Ralph.  It's soft and accessible, unlike many of those tinny 1800's plate pieces.  Ralph looks like a cool guy.

Give All to Love

by Ralph Waldo Emerson


Give all to love;
Obey thy heart;
Friends, kindred, days,
Estate, good-frame,
Plans, credit and the Muse,—
Nothing refuse.

’T is a brave master;
Let it have scope:
Follow it utterly,
Hope beyond hope:
High and more high
It dives into noon,
With wing unspent,
Untold intent:
But it is a god,
Knows its own path
And the outlets of the sky.

It was never for the mean;
It requireth courage stout.
Souls above doubt,
Valor unbending,
It will reward,—
They shall return
More than they were,
And ever ascending.

Leave all for love;
Yet, hear me, yet,
One word more thy heart behoved,
One pulse more of firm endeavor,—
Keep thee to-day,
To-morrow, forever,
Free as an Arab
Of thy beloved.

Cling with life to the maid;
But when the surprise,
First vague shadow of surmise
Flits across her bosom young,
Of a joy apart from thee,
Free be she, fancy-free;
Nor thou detain her vesture’s hem,
Nor the palest rose she flung
From her summer diadem.

Though thou loved her as thyself,
As a self of purer clay,
Though her parting dims the day,
Stealing grace from all alive;
Heartily know,
When half-gods go,
The gods arrive.

-