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POEM OF THE DAY "Priveledge of Being" By Robert Hass


Privilege of Being

By Robert Hass

Many are making love. Up above, the angels
in the unshaken ether and crystal of human longing
are braiding one another's hair, which is strawberry blond
and the texture of cold rivers. They glance
down from time to time at the awkward ecstasy—
it must look to them like featherless birds
splashing in the spring puddle of a bed—
and then one woman, she is about to come,
peels back the man's shut eyelids and says,
look at me, and he does. Or is it the man
tugging the curtain rope in that dark theater?
Anyway, they do, they look at each other;
two beings with evolved eyes, rapacious,
startled, connected at the belly in an unbelievably sweet
lubricious glue, stare at each other,
and the angels are desolate. They hate it. They shutter pathetically
like lithographs of Victorian beggars
with perfect features and alabaster skin hawking rags
in the lewd alleys of the novel.
All of creation is offended by this distress.
It is like the keening sound the moon makes sometimes,
rising. The lovers especially cannot bear it,
it fills them with unspeakable sadness, so that
they close their eyes again and hold each other, each
feeling the mortal singularity of the body
they have enchanted out of death for an hour so,
and one day, running at sunset, the woman says to the man,
I woke up feeling so sad this morning because I realized
that you could not, as much as I love you,
dear heart, cure my loneliness,
wherewith she touched his cheek to reassure him
that she did not mean to hurt him with this truth.
And the man is not hurt exactly,
he understands that life has limits, that people
die young, fail at love,
fail of their ambitions. He runs beside her, he thinks
of the sadness they have gasped and crooned their way out of
coming, clutching each other with old invented
forms of grace and clumsy gratitude, ready
to be alone again, or dissatisfied, or merely
companionable like the couples on the summer beach
reading magazine articles about intimacy between the sexes
to themselves, and to each other,
and to the immense, illiterate, consoling angels.

-

POEM OF THE DAY "The Problem of Describing Trees" by Robert Hass

Robert Hass hails from California, a bay area poet whose formative years were during the mid 1950's. Robert was close to the "beat" scene of that era, observing works from poets such as Ginsberg, Corso, Kerouac and Ferlinghetti, etc...

Citing Wallace Stevens as an influence, Hass has had an extraordinary literary career (including serving as U.S. Poet Laureate from 1995 to 1997 I think), clearly influencing some of todays most influential poets. Mary Karr is certainly one of them; and it is Mary Karr who is responsible for inadvertently "tweeting" Robert Hass back into my head. I'm really glad for that!

So, without further ado, please enjoy this first installment of one of Hass poems, as we kick off "Robert Hass" week.

AS ALWAYS - WE WOULD LOVE TO HEAR EXACTLY WHAT THIS POEM MEANS TO YOU, SO COMMENTS, PLEASE!!!


The Problem of Describing Trees

by Robert Hass

The aspen glitters in the wind
And that delights us.
The leaf flutters, turning
Because that motion in the heat of summer
Protects its cells from drawing out.
Likewise the leaf of the cottonwood.
The gene pool threw up a wobbly stem
And the tree danced.
No.
The tree capitalized.
No.
There are limits to saying,
In language,
what the tree did.
It is good sometimes for poetry to disenchant us.
Dance with me, dancer.
Oh, I will.
Aspens doing something in the wind.

-

POEM OF THE DAY "Walking Around" by Pablo Neruda

11/6/11 -- We've re-posted this piece as part of our Twitter-Based 100 or so Greatest Poems of All Time series. The reasons are obvious, this poem is one of the great Neruda's most highly acclaimed and recongnized poems. It's refreshing to read it again.

Walking Around

By Pablo Neruda (English Translation of Walking Around by Robert Bly)

It so happens I am sick of being a man.
And it happens that I walk into tailorshops and movie
houses
dried up, waterproof, like a swan made of felt
steering my way in a water of wombs and ashes.

The smell of barbershops makes me break into hoarse
sobs.
The only thing I want is to lie still like stones or wool.
The only thing I want is to see no more stores, no gardens,
no more goods, no spectacles, no elevators.

It so happens that I am sick of my feet and my nails
and my hair and my shadow.
It so happens I am sick of being a man.

Still it would be marvelous
to terrify a law clerk with a cut lily,
or kill a nun with a blow on the ear.
It would be great
to go through the streets with a green knife
letting out yells until I died of the cold.

I don't want to go on being a root in the dark,
insecure, stretched out, shivering with sleep,
going on down, into the moist guts of the earth,
taking in and thinking, eating every day.

I don't want so much misery.
I don't want to go on as a root and a tomb,
alone under the ground, a warehouse with corpses,
half frozen, dying of grief.

That's why Monday, when it sees me coming
with my convict face, blazes up like gasoline,
and it howls on its way like a wounded wheel,
and leaves tracks full of warm blood leading toward the
night.

And it pushes me into certain corners, into some moist
houses,
into hospitals where the bones fly out the window,
into shoeshops that smell like vinegar,
and certain streets hideous as cracks in the skin.

There are sulphur-colored birds, and hideous intestines
hanging over the doors of houses that I hate,
and there are false teeth forgotten in a coffeepot,
there are mirrors
that ought to have wept from shame and terror,
there are umbrellas everywhere, and venoms, and umbilical
cords.

I stroll along serenely, with my eyes, my shoes,
my rage, forgetting everything,
I walk by, going through office buildings and orthopedic
shops,
and courtyards with washing hanging from the line:
underwear, towels and shirts from which slow
dirty tears are falling.

-

POEM OF THE DAY "I crave your mouth, your voice, your hair" by Pablo Neruda


I crave your mouth, your voice, your hair

by Pablo Neruda

Don't go far off, not even for a day
Don't go far off, not even for a day,
Because I don't know how to say it - a day is long
And I will be waiting for you, as in
An empty station when the trains are
Parked off somewhere else, asleep.

Don't leave me, even for an hour, because then
The little drops of anguish will all run together,
The smoke that roams looking for a home will drift
Into me, choking my lost heart.

Oh, may your silhouette never dissolve
On the beach, may your eyelids never flutter
Into the empty distance. Don't LEAVE me for
A second, my dearest, because in that moment you'll
Have gone so far I'll wander mazily
Over all the earth, asking, will you
Come back? Will you leave me here, dying?

-

POEM OF THE DAY "Love" by Pablo Neruda


Love

by Pablo Neruda

What's wrong with you, with us,
what's happening to us?
Ah our love is a harsh cord
that binds us wounding us
and if we want
to leave our wound,
to separate,
it makes a new knot for us and condemns us
to drain our blood and burn together.

What's wrong with you? I look at you
and I find nothing in you but two eyes
like all eyes, a mouth
lost among a thousand mouths that I have kissed, more beautiful,
a body just like those that have slipped
beneath my body without leaving any memory.

And how empty you went through the world
like a wheat-colored jar
without air, without sound, without substance!
I vainly sought in you
depth for my arms
that dig, without cease, beneath the earth:
beneath your skin, beneath your eyes,
nothing,
beneath your double breast scarcely
raised
a current of crystalline order
that does not know why it flows singing.
Why, why, why,
my love, why?

-

POEM OF THE DAY "Saddest Poem" by Pablo Neruda


Saddest Poem

by Pablo Neruda

I can write the saddest poem of all tonight.

Write, for instance: "The night is full of stars,
and the stars, blue, shiver in the distance."

The night wind whirls in the sky and sings.

I can write the saddest poem of all tonight.
I loved her, and sometimes she loved me too.

On nights like this, I held her in my arms.
I kissed her so many times under the infinite sky.

She loved me, sometimes I loved her.
How could I not have loved her large, still eyes?

I can write the saddest poem of all tonight.
To think I don't have her. To feel that I've lost her.

To hear the immense night, more immense without her.
And the poem falls to the soul as dew to grass.

What does it matter that my love couldn't keep her.
The night is full of stars and she is not with me.

That's all. Far away, someone sings. Far away.
My soul is lost without her.

As if to bring her near, my eyes search for her.
My heart searches for her and she is not with me.

The same night that whitens the same trees.
We, we who were, we are the same no longer.

I no longer love her, true, but how much I loved her.
My voice searched the wind to touch her ear.

Someone else's. She will be someone else's. As she once
belonged to my kisses.
Her voice, her light body. Her infinite eyes.

I no longer love her, true, but perhaps I love her.
Love is so short and oblivion so long.

Because on nights like this I held her in my arms,
my soul is lost without her.

Although this may be the last pain she causes me,
and this may be the last poem I write for her.

-

POEM OF THE DAY -- "Love Sonnet XVII" by Pablo Neruda


Love Sonnet XVII

by Pablo Neruda

I do not love you as if you were a salt rose, or topaz
or the arrow of carnations the fire shoots off.
I love you as certain dark things are to be loved,
in secret, between the shadow and the soul.

I love you as the plant that never blooms
but carries in itself the light of hidden flowers;
thanks to your love a certain solid fragrance,
risen from the earth, lives darkly in my body.

I love you without knowing how, or when, or from where.
I love you straightforwardly, without complexities or pride;
So I love you because I know no other way

than this: where I does not exist, nor you,
so close that your hand on my chest is my hand,
so close that your eyes close as I fall asleep.

-

POEM OF THE DAY "because i love you) last night" by e.e. cummings


because i love you)last night

by e.e. cummings

because i love you)last night

clothed in sealace
appeared to me
your mind drifting
with chuckling rubbish
of pearl weed coral and stones;

lifted,and(before my
eyes sinking)inward,fled;softly
your face smile breasts gargled
by death:drowned only

again carefully through deepness to rise
these your wrists
thighs feet hands

poising
to again utterly disappear;
rushing gently swiftly creeping
through my dreams last
night,all of your
body with its spirit floated
(clothed only in

the tide's acute weaving murmur

-

POEM OF THE DAY - "since feeling is first... (VII)" by e.e. cummings


since feeling is first... (VII)

by E. E. Cummings

since feeling is first
who pays any attention
to the syntax of things
will never wholly kiss you;

wholly to be a fool
while Spring is in the world

my blood approves,
and kisses are a better fate
than wisdom
lady i swear by all flowers. Don't cry
- the best gesture of my brain is less than
your eyelids' flutter which says

we are for each other; then
laugh, leaning back in my arms
for life's not a paragraph

And death i think is no parenthesis

-

POEM OF THE DAY "seeker of truth" by e.e. cummings


seeker of truth

by e.e. cummings

seeker of truth

follow no path
all paths lead where

truth is here

-

TOP 100 or so POEMS of ALL TIME -- "somewhere i have never travelled, gladly beyond" by e.e. cummings

Edited October 29, 2011

This poem was first featured as a POEM OF THE DAY on eNOTHING back in 2010. But, since we're spicing things up and trying to bring you poetry which transcends the ages - "popular" poetry if there is such a thing...we are re-presenting this cummings classic.

Widely considered to be one of the best poems from one of America's greatest poets, "somewhere i have never travelled, gladly beyond" has been scrutinized and over-scrutinized again and again.

No scrutiny here; just read it and enjoy it! TRH 10/29/11


somewhere i have never travelled, gladly beyond

By e.e. cummings

somewhere i have never travelled, gladly beyond
any experience,your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near

your slightest look will easily unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skilfully,mysteriously)her first rose

or if your wish be to close me, i and
my life will shut very beautifully ,suddenly,
as when the heart of this flower imagines
the snow carefully everywhere descending;
nothing which we are to perceive in this world equals
the power of your intense fragility:whose texture
compels me with the color of its countries,
rendering death and forever with each breathing

(i do not know what it is about you that closes
and opens;only something in me understands
the voice of your eyes is deeper than all roses)
nobody,not even the rain,has such small hands

-

POEM OF THE DAY "i carry your heart with me" by e.e. cummings



i carry your heart with me

by e.e. cummings

i carry your heart with me(i carry it in
my heart)i am never without it(anywhere
i go you go,my dear; and whatever is done
by only me is your doing,my darling)
i fear
no fate(for you are my fate,my sweet)i want
no world(for beautiful you are my world,my true)
and it's you are whatever a moon has always meant
and whatever a sun will always sing is you

here is the deepest secret nobody knows
(here is the root of the root and the bud of the bud
and the sky of the sky of a tree called life;which grows
higher than the soul can hope or mind can hide)
and this is the wonder that's keeping the stars apart

i carry your heart(i carry it in my heart)

-

POEM OF THE DAY "Child" by Sylvia Plath



This is a beautiful poem referencing her children. Interestingly, darkness prevails in "wringing" reference and the last line...

Child

by Sylvia Plath

Your clear eye is the one absolutely beautiful thing.
I want to fill it with color and ducks,
The zoo of the new

Whose names you meditate ---
April snowdrop, Indian pipe,
Little

Stalk without wrinkle,
Pool in which images
Should be grand and classical

Not this troublous
Wringing of hands, this dark
Ceiling without a star.

-

POEM OF THE DAY "Ariel" by Sylvia Plath


Ariel

by Sylvia Plath

Stasis in darkness.
Then the substanceless blue
Pour of tor and distances.

God's lioness,
How one we grow,
Pivot of heels and knees! -- The furrow

Splits and passes, sister to
The brown arc
Of the neck I cannot catch,

Nigger-eye
Berries cast dark
Hooks ----

Black sweet blood mouthfuls,
Shadows.
Something else

Hauls me through air ----
Thighs, hair;
Flakes from my heels.

White
Godiva, I unpeel ----
Dead hands, dead stringencies.

And now I
Foam to wheat, a glitter of seas.
The child's cry

Melts in the wall.
And I
Am the arrow,

The dew that flies,
Suicidal, at one with the drive
Into the red

Eye, the cauldron of morning.

-

POEM OF THE DAY "Lady Lazarus" by Sylvia Plath


Lady Lazarus

By Sylvia Plath


I have done it again.
One year in every ten
I manage it-----

A sort of walking miracle, my skin
Bright as a Nazi lampshade,
My right foot

A paperweight,
My featureless, fine
Jew linen.

Peel off the napkin
O my enemy.
Do I terrify?-------

The nose, the eye pits, the full set of teeth?
The sour breath
Will vanish in a day.

Soon, soon the flesh
The grave cave ate will be
At home on me

And I a smiling woman.
I am only thirty.
And like the cat I have nine times to die.

This is Number Three.
What a trash
To annihilate each decade.

What a million filaments.
The Peanut-crunching crowd
Shoves in to see

Them unwrap me hand in foot ------
The big strip tease.
Gentleman , ladies

These are my hands
My knees.
I may be skin and bone,

Nevertheless, I am the same, identical woman.
The first time it happened I was ten.
It was an accident.

The second time I meant
To last it out and not come back at all.
I rocked shut

As a seashell.
They had to call and call
And pick the worms off me like sticky pearls.

Dying
Is an art, like everything else.
I do it exceptionally well.

I do it so it feels like hell.
I do it so it feels real.
I guess you could say I've a call.

It's easy enough to do it in a cell.
It's easy enough to do it and stay put.
It's the theatrical

Comeback in broad day
To the same place, the same face, the same brute
Amused shout:

'A miracle!'
That knocks me out.
There is a charge

For the eyeing my scars, there is a charge
For the hearing of my heart---
It really goes.

And there is a charge, a very large charge
For a word or a touch
Or a bit of blood

Or a piece of my hair on my clothes.
So, so, Herr Doktor.
So, Herr Enemy.

I am your opus,
I am your valuable,
The pure gold baby

That melts to a shriek.
I turn and burn.
Do not think I underestimate your great concern.

Ash, ash---
You poke and stir.
Flesh, bone, there is nothing there----

A cake of soap,
A wedding ring,
A gold filling.

Herr God, Herr Lucifer
Beware
Beware.

Out of the ash
I rise with my red hair
And I eat men like air.

-