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Showing posts with label Arthur Rimbaud. Show all posts
Showing posts with label Arthur Rimbaud. Show all posts

POEM OF THE DAY - "Venus Anadyomene" by Arthur Rimbaud





Arthur Rimbaud is one of the most influential French poets of the 19th century.  His unusual free-verse style of poetry has served as a primary influence to many of the great poets and artistic movements of the 20th century including French Symbolism, Surrealism, Beat counter-culture, and Jim Morrison, Bob Dylan and Patti Smith.
His name is frequently associated with counter-cultural movements and schools of thought; this is because he himself was counter-cultural in his day.  His poetry is inspired and suggestive; his personality was caustic and unstable. Though brilliant, during his life his peers regarded him as unsophisticated, arrogant, and perverted.

We have included several of Rimbaud's poems in the eNothing blog; including "The Drunken Boat" which stands as a "Top 100 of all time" entry.  You can search for them easily.

Enjoy the ulcer.

Venus Anadyomene

by Arthur Rimbaud

As from a green zinc coffin, a woman’s
Head with brown hair heavily pomaded
Emerges slowly and stupidly from an old bathtub,
With bald patches rather badly hidden;
Then the fat gray neck, broad shoulder-blades
Sticking out; a short back which curves in and bulges;
Then the roundness of the buttocks seems to take off;
The fat under the skin appears in slabs:
The spine is a bit red; and the whole thing has a smell
Strangely horrible; you notice especially
Odd details you’d have to see with a magnifying glass…
The buttocks bear two engraved words: CLARA VENUS;
—And that whole body moves and extends its broad rump
Hideously beautiful with an ulcer on the anus.

TOP 100 or so POEMS -- "The Drunken Boat (Le Bateau Ivre)" by Arthur Rimbaud

French poet Arthur Rimbaud (1854-1891) remains a poetic icon despite having a "career" as a poet which spanned a mere 5 years from ang 17 to age 21 or 22.  The reasons for his iconic stature are many but can be boiled down to the following points (like all opinions, subject to criticisim/argument):

  • He was a literary and social rebel - abandoning traditions and all social acceptability in favor of transforming himself into a "seer" which would allow him to complete himself as a true poet. Reference his famous letter to Paul Verlaine (the "Letter of the Seer").
  • He lived a wild visionary vagabond-like life spiced by absinthe and hashish - an early example of substance abuse as a fuel for inspiration, behavior and ultimate "seer experiences". 
  • His poems were widely considered incendiary and of great romantic vision, written in a void and capitalizing on his restless, searching intellectual capacity and willingness to "experience rather than simply relate" (this is the "seer").  He dominated the "Decadent Movement" which was a precursor to what is "Surrealism" today.
  • His life was highly unconventional and adventurous - including a homosexual affair with French Poet Paul Verlaine which stretched across two continents (France and UK) and ended in violence and gunshots.
  • He was a major artistic influence on such 20th century icons as  Pablo Picasso, Dylan Thomas, Allen Ginsberg, Vladimir Nabokov, Bob Dylan, Patti Smith, Giannina Braschi, Léo Ferré, Henry Miller, Van Morrison and Jim Morrison - and the list goes on and on and on.
Regarding this poem -- "The Drunken Boat" takes it's place in our "Top 100 or so" list quite firmly and with confidence.  In fact, if we get that far, we would easily place it up towards the top of the list.  But that's not important; for Rimbaud helped to revolutionize poetry, changing the shape, need, visions possible and removing many of the constraints of the art form forever.

Archibald MacLeish has a famous quote about this poem: "Anyone who doubts that poetry can say what prose cannot has only to read the so-called Lettres du Voyant and 'Bateau Ivre' together. What is pretentious and adolescent in the Lettres is true in the poem—unanswerably true."

I found that interesting - tried it, liked it - and so I am also precursing the great poem "The Drunken Boat" with an excerpt from "Lettre du Voyant"(or "Letter of the Seer") to help you get the "big picture" - for there is a bigger picture here.  Enjoy

From "The Letter of the Seer" (a famous letter written Arthur Rimbaud as an introduction to poet Paul Verlaine):

"I say that one must be a seer, make oneself a seer. The poet makes himself a seer by a long, prodigious, and rational disordering of all the senses. Every form of love, of suffering, of madness; he searches himself, he consumes all the poisons in him, and keeps only their quintessences. This is an unspeakable torture during which he needs all his faith and superhuman strength, and during which he becomes the great patient, the great criminal, the great accursed – and the great learned one! – among men. – For he arrives at the unknown! Because he has cultivated his own soul – which was rich to begin with – more than any other man! He reaches the unknown; and even if, crazed, he ends up by losing the understanding of his visions, at least he has seen them! Let him die charging through those unutterable, unnameable things: other horrible workers will come; they will begin from the horizons where he has succumbed"

The Drunken Boat

By Arthur Rimbaud
 
(Translated from the French By Wallace Fowlie)
 


As I was going down impassive Rivers,
I no longer felt myself guided by haulers:
Yelping redskins had taken them as targets
And had nailed them naked to colored stakes.
I was indifferent to all crews,
The bearer of Flemish wheat or English cottons
When with my haulers this uproar stopped
The Rivers let me go where I wanted.
Into the furious lashing of the tides
More heedless than children's brains the other winter
I ran! And loosened Peninsulas
Have not undergone a more triumphant hubbub
The storm blessed my sea vigils
Lighter than a cork I danced on the waves
That are called eternal rollers of victims,
Ten nights, without missing the stupid eye of the lighthouses!
Sweeter than the flesh of hard apples is to children
The green water penetrated my hull of fir
And washed me of spots of blue wine
And vomit, scattering rudder and grappling-hook
And from then on I bathed in the Poem
Of the Sea, infused with stars and lactescent,
Devouring the azure verses; where, like a pale elated
Piece of flotsam, a pensive drowned figure sometimes sinks;
Where, suddenly dyeing the blueness, delirium
And slow rhythms under the streaking of daylight,
Stronger than alcohol, vaster than our lyres,
The bitter redness of love ferments!
I know the skies bursting with lightning, and the waterspouts
And the surf and the currents; I know the evening,
And dawn as exalted as a flock of doves
And at times I have seen what man thought he saw!
I have seen the low sun spotted with mystic horrors,
Lighting up, with long violet clots,
Resembling actors of very ancient dramas,
The waves rolling far off their quivering of shutters!
I have dreamed of the green night with dazzled snows
A kiss slowly rising to the eyes of the sea,
The circulation of unknown saps,
And the yellow and blue awakening of singing phosphorous!
I followed during pregnant months the swell,
Like hysterical cows, in its assault on the reefs,
Without dreaming that the luminous feet of the Marys
Could constrain the snout of the wheezing Oceans!
I struck against, you know, unbelievable Floridas
Mingling with flowers panthers' eyes and human
Skin! Rainbows stretched like bridal reins
Under the horizon of the seas to greenish herds!
I have seen enormous swamps ferment, fish-traps
Where a whole Leviathan rots in the rushes!
Avalanches of water in the midst of a calm,
And the distances cataracting toward the abyss!
Glaciers, suns of silver, nacreous waves, skies of embers!
Hideous strands at the end of brown gulfs
Where giant serpents devoured by bedbugs
Fall down from gnarled trees with black scent!
I should have liked to show children those sunfish
Of the blue wave, the fish of gold, the singing fish.
—Foam of flowers rocked my drifting
And ineffable winds winged me at times.
At times a martyr weary of poles and zones,
The sea, whose sob created my gentle roll,
Brought up to me her dark flowers with yellow suckers
And I remained, like a woman on her knees...
Resembling an island tossing on my sides the quarrels
And droppings of noisy birds with yellow eyes
And I sailed on, when through my fragile ropes
Drowned men sank backward to sleep!
Now I, a boat lost in the foliage of caves,
Thrown by the storm into the birdless air
I whose water-drunk carcass would not have been rescued
By the Monitors and the Hanseatic sailboats;
Free, smoking, topped with violet fog,
I who pierced the reddening sky like a wall,
Bearing, delicious jam for good poets
Lichens of sunlight and mucus of azure,
Who ran, spotted with small electric moons,
A wild plank, escorted by black seahorses,
When Julys beat down with blows of cudgels
The ultramarine skies with burning funnels;
I, who trembled, hearing at fifty leagues off
The moaning of the Behemoths in heat and the thick Maelstroms,
Eternal spinner of the blue immobility
I miss Europe with its ancient parapets!
I have seen sidereal archipelagos! and islands
Whose delirious skies are open to the sea-wanderer:
—Is it in these bottomless nights that you sleep and exile yourself,
Million golden birds, o future Vigor? –
But, in truth, I have wept too much! Dawns are heartbreaking.
Every moon is atrocious and every sun bitter.
Acrid love has swollen me with intoxicating torpor
O let my keel burst! O let me go into the sea!
If I want a water of Europe, it is the black
Cold puddle where in the sweet-smelling twilight
A squatting child full of sadness releases
A boat as fragile as a May butterfly.
No longer can I, bathed in your languor, o waves,
Follow in the wake of the cotton boats,
Nor cross through the pride of flags and flames,
Nor swim under the terrible eyes of prison ships.

POEM OF THE DAY -- "The Seekers of Lice" by Arthur Rimbaud

The Seekers of Lice

By Arthur Rimbaud

When the boy's head, full of raw torment,

Longs for hazy dreams to swarm in white,
Two charming older sisters come to his bed
With slender fingers and silvery nails.

They sit him at a casement window, thrown
Open on a mass of flowers basking in blue air,
And run the fine, intimidating witchcraft
Of their fingers through his dew-dank hair.

He listens to their diffident, sing-song breath,
Smelling of elongated honey off the rose,
Broken now and then by a hiss: saliva sucked
Back from the lip, or a longing to be kissed.

He hears their dark eyelashes start in the sweet-
Smelling silence and, through his grey listlessness,
The crackle of small lice dying, beneath
The imperious nails of their soft, electric fingers.

The wine of Torpor wells up in him then
— Near on trance, a harmonica-sigh —
And in their slow caress he feels
The endless ebb and flow of a desire to cry.

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